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Exercises of memory: Carlos Trilnick

Carlos Trilnick. 1978-2003 (2003)

ejercicios_trilnick_obra

25 years have passed since the football world cup was organized in Argentina by the military dictatorship. Menotti, Pasarella, Kempes, the goals, the triumph, General Videla’s celebrations shared by thousands of people, lifting his arms as a sign of victory. Muñoz (the voice of America), a radio commentator, emphasizes every word, we Argentineans are the best, we are champions, we are “right and human”.
Only a Dutch press team covers the march of Madres de Plaza de Mayo (Mothers of Plaza de Mayo). A few meters away from River Plate stadium many are tortured, killed; not only at ESMA, the city and its surroundings were packed with clandestine detention centers, like those in Rosario, Mendoza and in every city of Argentina.
The fascist sport drug and its accomplices, disguised under the passion the Argentine football team inspired, did a good job. Videla celebrates when his team scores, the world cup is going to be useful for him to settle into power and develop his sinister plan of death and corruption. The intervention in the video he made over the goal line of the stadium where the world cup final match was played is an act of silence, of mourning, of counter celebration, of tribute to those who suffered in silence.

Carlos Trilnick

About Carlos Trilnick (Rosario, 1957)

Carlos was born in Rosario, Argentina, in 1957. Since 1980, he has produced an important number of photography, video and installation works. His work has been exhibited interna-tionally in museums, biennials and art galleries, including the Museo da Imagem e do Son (Sao Paulo), The

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Museum of Modern Arts (New York), Museo de Extremadureño e Iberoamericano de Arte Contemporáneo (Badajoz), Museo de Arte Moderno (Bogotá), European Media Arts Festival (Osnabruck), Museo Reina Sofía (Madrid) and Bienal del Mercosur (Porto Alegre).
Since 1996, he has worked as a Full Professor of Audiovisual Design Workshop I, II and III, subjects within the degree course in Image as well as and Sound Design and Expressive Means I and II within the degree course in Graphic Design, FADU, UBA. He is also co-director of the Multimedia Production, a project implemented at Colegio Talpiot in Buenos Aires in 2004.

Participant artists

Alejandro Schianchi / Carlos Trilnick / Claudia Aravena / Edgar Endress / Eduardo Molinari y Nicolás Varchausky / Graciela Taquini / Guillermo Cifuentes / Gustavo Galuppo / Iván Marino / Julieta Hanono / Leandro Nuñez / Mariela Yeregui / Raúl Minsburg / Ricardo Dal Farra / Ricardo Pons