Projects
back to Exercises of memory (Ejercicios de memoria)Exercises of memory: Guillermo Cifuentes
Guillermo Cifuentes. Night lessons (1997-1998)

In Chile, both the media and the judiciary (two of the spheres where our recent collective memory is negotiated), the enormous amount of bodies and remains on which the military government based its viability and which represent the deep scar in the skin of our cultural memory, are necessarily denied in so many bodies in order to be able to appear before their symbolic systems. Eventually, in order to see the “truth” from these discursive apparatus, we should blindly turn them into “bodies of evidence”, legal or rhetorical, which allows us to stand back and consign them to others or to the past. Thus, these two representational machines fail to retain the deepest resonance of the experience they try to impose. They establish the present upon the elision of the most unyielding aspect of the past that produced it. Those burnt, marked, dismembered, wounded and interrogated bodies and the resulting tide of public and private expressions that mobilize in their trail are the material inscription of the long authoritarian night on our collective memory skin. It is also in those terms that they should be examined, questioned and reconsidered, whether we believe in the possibility of reparation or that the horrors of human rights violations remain finally unassimilated in ethical and psychological terms. The re-examination of this imaginary and its complex role in the representation of repression and resistance, guilt and innocence, is imperative if we want to understand the nature and effects of a disturbing historical legacy. Guillermo Cifuentes
About Guillermo Cifuentes
Guillermo holds a Bachelor’s Degree in Fine Arts with a mention in Video-art, from the College of Visual and Performing Arts, Syracuse University, Syracuse (United States); Cifuentes made his first film and video works in the early 90’s. The short film “Diálogo de Sordos” (1995), shown at the “Tampere International Film Festival”, Tampere (Finland, 1996), deals with themes related to love, death and devotion. Politics in Chile, the violence of the dictatorship and the marks left by torture are some of the subjects discussed in the video “Lecciones Nocturnas” (1998), an experimental documentary that makes use of editing resources, such as shot repetition, to emphasize the need to preserve memory and history. In the video “Reconocimiento de Lugar” (2002), Cifuentes explores the intersections among the lives of different people and the transformations of the urban landscape of the city of Santiago de Chile. His videos have been shown at Zentrum für Aktuelle Künste Podewil, Berlin, (1999); “ARCO”, Madrid (2001); “Festival de Vídeo de Locarno”, Switzerland (2001); “5ª Bienal de Vídeo y Nuevos Medios MAC”, Santiago, Chile (2001) and “Transmediale”, Berlin, Germany (2001) among others.
Participant artists
Alejandro Schianchi / Carlos Trilnick / Claudia Aravena / Edgar Endress / Eduardo Molinari y Nicolás Varchausky / Graciela Taquini / Guillermo Cifuentes / Gustavo Galuppo / Iván Marino / Julieta Hanono / Leandro Nuñez / Mariela Yeregui / Raúl Minsburg / Ricardo Dal Farra / Ricardo Pons